Rene Magritte was an internationally acclaimed surrealist artist of all time, yet it was not until his 50s, when he was finally able to reach some form of fame and recognition for his work. Rene Magritte described his paintings saying, "My painting is visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, 'What does that mean?' It does not mean anything, because mystery means nothing, it is unknowable."
Rene Magritte was born in 1898, to a wealthy manufacturer father. In 1912, his mom was found drowned in the River Sambre. She had committed suicide, and the family was publicly humiliated because of it. From 1916 to 1918, Rene decided to study at the Academie des Beaux-Art, which was located in Brussels. He left the school, because he thought that it was a waste of time. All his paintings afterward reflect cubism, the movements which was introduced by Pablo Picass and was very popular at the time. In 1922 he married Georgette, and took a number of small jobs, including painting cabbage roses for a wallpaper company, in order to be able to pay the bills.
During the early period of his career, shortly following his
marriage, Rene Magritte would spend the free time that he had,
creating art forms and worked on a number of pieces; it was during
this time period that he realized surrealism was the art form which
he most enjoyed. The
Threatened Assassin was one of his earliest pieces in 1926, which
showcased the surrealist style which he had been working on; The Lost Jockey was another piece
that he introduced in 1925, which also showcased this art form.
Over the course of his career, he produced a number of variants on
this piece, and changed the format to recreate what the viewer was
In 1927, Rene Magritte had his first one man show, which took place at the Galerie la Centaurie in Brussels. During this period of his life, he was producing nearly one piece of art work each day, which made for an extensive showing, and a variety of unique styles for visitors of the exhibit to see. But critics heaped abuse on the exhibition. Depressed by the failure, he moved to Paris where he became friends with artist Andre Breton, and became involved in the surrealist group. From 1927, through 1930, much of the work which Rene Magritte created, was described as cavernous, with many of his paintings showcasing bizarre scenes, with a hint of eroticism.
During the German occupation of Belgium in World War II, Magritte
remained in Brussels, which led to a break with fellow artist Andre
Breton. After the fallout with Breton, Rene Magritte briefly
adopted a colorful, painterly style in 1943-44, an interlude known
as his "Renoir Period", as a
reaction to his feelings of alienation and abandonment that came
with living in German occupied Belgium. During this time, Magritte
supported himself through the production of fake painting of Van Gogh, Picasso, and Paul Cezanne - this venture
was later taken over by his brother Paul Magritte.
Rene Magritte stayed in Brussels for the remainder of his life. During the majority of his career, his work followed a surrealist style, and he very rarely, if ever, strayed away from this form. Much of the work he created depicted similar scenes, and recurring themes. Some of his favorites were floating rocks, or creating a painting within a painting, and he also used many inanimate objects, within a human figure, creating the distinct styles which other artists did not.
During the course of his career, Rene Magritte would also use famous paintings, which were created by other artists, to put his own surrealist twist on it. One of the works he did, was recreate The Balcony (a piece after the masterpice of the same name, by Edouard Manet ), and in this piece he replaced the figures that were in the image, with coffins. This, was one way for Magritte to showcase his style, and to create a unique design, forcing viewers of his pieces, to look outside of the norm, and focus on the distinctive features which were not originally present.
Along the similar lines, and with a focus on the surrealist style which he stayed true to, during his career, Rene Magritte began to work on sculptures at a later part of his career as well. He had a playful and provocative sense of humor, which worked in to many of the pieces which he created, and which became some of his most well known pieces throughout the course of his career. One such example of this is the series of pipe paintings which he created. The fascination he had with a paradoxical world, is clearly seen when you view the entire series as a whole piece, rather than viewing the images on their own.
Although in recent years many of the works created by Rene Magritte have been on exhibit, during the course of his career he also had certain features exhibited in Brussels, as well as around the world. In 1936, one exhibit was held in New York City, and following this, two retrospective exhibits were also held. One was in 1965, at the Museum of Modern Art, and a second was held in 1992, at the Metropolitan Museum of Art.
If the dream is a translation of waking life, waking life is also a translation of the dream. ”
- Rene Magritte
Not only were a number of artists intrigued by, and influenced by
the work Rene Magritte created, but popular culture, and the art
world in general, were extremely influenced by his creative, and
unique ability to take something so ordinary, yet make viewers of
his pieces see something completely different. His ability to
present figures in a suggestive, yet questioning manner, made his
work extremely desirable, especially during the 1960s. In fact,
much of his work has been plagiarized and used in books, print ads,
and other manners, due to the distinct style, and the inability of
artists to create in a similar manner.
Although he died in 1967, of pancreatic cancer, much of the work of Rene Magritte is still on display today, in his hometown, and around the world. Not only did he introduce a new style, he was a leader in the surrealist style. And, he brought an entirely new way of looking at art, with the paintings, as well as some of the sculptures which he created, during the course of his career.